Lost Tribe Sound
Brilliant album by Sandro Perri! It has just the right amount of sunshine for my taste, and it captures those mellow 80's feel-good vibes in the most sublime and addictive ways.
Favorite track: In Another Life.
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Record/Vinyl + Digital Album
Audiophile 180gram pressing in midnight ultra-black vinyl from Optimal (Germany) comes in a thick 24pt jacket with black paper polylined dust sleeve, 12"x24" art print poster, 12"x12" lyric sheet insert and 320kbps MP3 download card.
Vinyl shipping cost: US: FREE SHIPPING Canada: $9.00 (+$3.00 per additional) Rest Of World: $15.00 First Class Air Mail
Includes unlimited streaming of In Another Life
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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$20USDor more
Compact Disc (CD) + Digital Album
CD shipping cost: US: FREE SHIPPING Canada: $2.00 (+$1.50 per additional) Rest Of World: $9.00 (+$4.00 per additional) First Class Air Mail
Includes unlimited streaming of In Another Life
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Sandro Perri returns with In Another Life, his first new solo album since the acclaimed Impossible Spaces from 2011 (which garnered a Best New Track and Top 50 Albums of 2011 from Pitchfork, among many other accolades). Perri has been called “one of the most singular producers in contemporary music” (Boomkat) and his long affiliation with Constellation through various electronic and singer-songwriter guises (Polmo Polpo, Glissandro 70, Off World) has produced a uniquely adventurous and iconoclastic discography. In Another Life expands on this in peerless fashion.
The new album is what Perri describes as “an experiment in ‘infinite’ songwriting.” The title track is a 24-minute pop mantra for sequenced synth, piano, guitar and voice, progressing sideways rather than forward. A relaxed three-chord vamp runs the length of the album’s Side One, peppered with Sandro’s languid, lilting vocal and adorned with continually developing musical details – massaging the listener with the joys of repetition while defying stasis and monotony. Like the longer-form work of fellow-travellers Bill Callahan, Destroyer or Arthur Russell, Perri extends the notion of the meditative minimalist pop song to its literal maximum, flouting ‘commercial’ concerns in our streamingly short-attention-span era – and perhaps implicitly calling for a politics of slow consumption? The lyric of “In Another Life” suggests as much, moving through bemused critiques and degrees of equivocation about unrealized utopias, culminating with the final stanza: “Beyond the choice of create or destroy / inherit, steal, gift or employ / Fair is far too small a word we’d enjoy / In another life / So hold a promise no bigger than two hands / Hope scaled and re-read in human / And not reduced to a list of demands / In another life.”
Side Two of In Another Life features a similar approach, though in a distinct 3-part series: “Everybody’s Paris” begins with Perri on vocals, with the mic then handed over to André Ethier (The Deadly Snakes) and Dan Bejar (Destroyer) respectively, who each take a vocal turn singing lyrics of their own. Sandro calls this “a song-cycle designed to accept any lyrical variation fed into it: a fill-in-the-blanks questionnaire in the form of a song.” Of course “Everybody’s Paris” ends up being much more than this, with the evocative phrase of the song’s title serving as the lyrical tent pole and recurring refrain; an anchor point for signification and sentiment that intentionally belies the suggestion of anything prosaic or administrative about Perri’s formal conceit. In the hands of these three master lyricists and voices – and with Perri subtly reconfiguring the instrumentation and arrangements for each of the three parts – “Everybody’s Paris” emerges as a profound and fitting sibling (a set of triplet brothers?) to Side One’s ‘infinite’ title track.
The result is a gently yet enormously affecting album that basks thoughtfully and discerningly in a slow, sweet melancholia. In Another Life is a supremely listenable return to form for Sandro Perri, the music like a temporal analogue to a tender nature tableau registering slight changes under shifting light and a meditative gaze: at once appearing to signify only itself, while auguring the promise of harmonious life.
supported by 27 fans who also own “In Another Life”
It's generating a huge response, scoring a total of 93 points in meta-critics. AllMusic described the album as "a record that has complex content but is easily and confidently delivered with lyrics and a combination of jazz throngs and exquisite rhythms," and NME gives it a perfect score of five, describing it as a completely flawless record. A record that doesn't always fall on this year's list of albums of 2018 released by many media outlets. jwsmusic
supported by 27 fans who also own “In Another Life”
personally, I had never seen Low before, but I'm a young one so Its understandable why. But about the album. It is a wonderful composition, the feeling and emotion I get from is simultaneously warm and fuzzy while also feeling far away. A wonderful blend, I hope to follow in the future and see more like this! electrodeath
Vibrant and energetic EP of experimental songs and loopy post rock drone. Includes the score to: vimeo.com/74033442 Bandcamp New & Notable Sep 13, 2013
Super soulful funky freak folk, on limited-edition, transparent, one-sided 7" single. Video by Brazilian filmmaker Raul Luna. Bandcamp New & Notable Jan 4, 2016